Welcome to The Red Room, our first on dreamy, 35mm film. Filmed in downtown Los Angeles and the Hollywood Hills, the story is the brainchild of a twisted writer/director. "We wanted to go for a Twilight Zone feel so we chose the color palette carefully.", so he says.

The film premiered at the SoCal Independent Film Festival on September 2008.

Although accused of being excruciatingly slow, with a super slow mo section, the surrealness sells. "We were 1.85:1 and we used an Arriflex 535 for the dialogue scenes and an Arrflex 435 for the faster frame rates.", says DP Kevin Atkinson.

The film was produced by Chris Ivan Cevic of Burnt Pictures.